Ainda Temos a Imensidão da Noite (2019)
Année de sortie: 2019
Alternative Title: Non ci resta che l'immensità della notte, Yeojeonhi bam-eun gipjiman, Todavía nos Queda la Inmensidad de la Noche, We Still Have the Deep Black Night
Réalisateur: Gustavo Galvão
Writer: Barbie Heusinger, Bernardo Scartezini, Cristiane Oliveira, Gustavo Galvão
Production & Genre
Producteur: Producer: Sara Silveira, Lee Ranaldo, Gustavo Galvão
Executive_Producer: Maria Ionescu, Daniela Marinho, Peter Ketnath
Sociétés: 400 Filmes, Autentika Films, Cinezebra, Dezenove Som e Imagem
Genre: Drama
Budget: R$2,250,000 (estimated)
Récompenses & Similaires
Récompenses:
Similaire: N/A
Mots-clés
Mots-clés: band, berlin germany, brasilia brazil, rock music, urban setting
Histoire
Karen, a talented trumpet player and singer in a rock band, becomes disillusioned with her life in Brasilia at the age of 27. Her grandfather helped build the city, but she finds no support for her musical ambitions there. Following her former partner Artur to Berlin, Karen seeks a new start in the vibrant music scene of the German capital. However, an unexpected event forces her to return to Brasilia earlier than planned. Upon her return, Karen must reevaluate her role and find her place in a city that is still evolving.
Résumé
'Ainda Temos a Imensidão da Noite' (2019), directed by Gustavo Galvão, follows the journey of Karen, a young musician navigating the urban landscapes of Brasilia and Berlin. The film explores themes of artistic struggle, self-discovery, and the pursuit of dreams amidst changing circumstances. Shot in vivid settings that reflect each city's unique character, it offers insight into Brazil's urban culture while also touching on the universal experiences of youth and ambition.