Actrice: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

Titre du film: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

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Affiche pour Beneath the Valley of the Ultra-Vixens (1979)

Beneath the Valley of the Ultra-Vixens (1979)

Année de sortie: 1979

Nation: United States

Alternative Title: Im tiefen Tal der Superhexen, Más allá del valle de las ultrazorras, Russ Meyer's Ultra Vixens, Ultra Vixens

Réalisateur: Russ Meyer

Writer: Roger Ebert, Russ Meyer

Production & Genre

Producteur: Producer: Fred Owens, Richard S. Brummer, Russ Meyer

Sociétés: RM Films International

Genre: Comedy, Comedy Film, Erotic Film

Budget: 239.000

Récompenses & Similaires

Récompenses:

  • 1 nomination

Similaire:

  • Rita, Sue and Bob Too (1987)
  • The Deviants (2004)
  • About Adam (2000)
  • Better Than Chocolate (1999)
  • Brutal Massacre: A Comedy (2008)

Mots-clés

Histoire

In Smalltown USA, Levonna and Lamar could have an ideal relationship but for Lamar's fixation on rear entry, leading to frequent sexual frustrations for Levonna. Exasperated, Levonna devises a plan involving a wig and Mexican accent to become 'Lola'. Meanwhile, Lamar searches for others to indulge his preferred technique. During a drunken night, Lola seduces Lamar, but he remains unconscious throughout the act. Subsequently, Lamar seeks counsel from a gay marriage therapist who is himself attracted to Lamar's issue. Unable to resolve their problems through conventional means, Lamar ultimately turns to Sister Eufaula Roo at Rio Dio Radio's church for redemption.

Résumé

Beneath the Valley of the Ultra-Vixens (1979) is a comedy-erotic film directed by Russ Meyer, known for his exploitation films. Set in Smalltown USA, the movie explores the unconventional sexual dynamics between Levonna and Lamar, focusing on Lamar's rear entry obsession. The story satirizes societal norms and expectations surrounding sexuality, presenting humorous yet provocative situations involving Voyeurism, employer-employee relationships, and older woman-younger man dynamics. Despite its erotic nature, the film is more about absurd comedy than genuine eroticism.

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