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Affiche pour Death Race 2000 (1975)

Death Race 2000 (1975)

Année de sortie: 1975

Nation: United States

Alternative Title: Carrera mortal 2000, Frankensteins Todesrennen, Смъртоносна надпревара 2000, Corrida da Morte - Ano 2000, Año 2000 Carrera Mortal, Cesta gladiátoru 2000, Herrscher der Straße - Frankensteins Todesrennen, Dødsrace 2000, La carrera de la muerte del año 2000, Kalmanralli 2000, La course à la mort de l'an 2000, Les seigneurs de la route, Sasikvdilo rbola 2000, Etos 2000: Koursa thanatou, Rally thanatou sto etos 2000, Halálos futam 2000, Anno 2000 - La corsa della morte, Wyscig smierci, Corrida da morte no ano 2000, Смертельные гонки 2000 года, Ölüm yarisi 2000, Смертельнi перегони 2000-го року, Herrscher der Strasse

Réalisateur: Paul Bartel

Writer: Charles B. Griffith, Ib Melchior, Robert Thom

Production & Genre

Producteur: Producer: Jim Weatherill
Executive Producer: Roger Corman

Sociétés: New World Pictures

Genre: Action, Action Film, Comedy, Dystopian Film, Sci-Fi, Science Fiction, Science Fiction Film, Speculative Fiction Film

Budget: 300.000

Récompenses & Similaires

Récompenses: N/A

Similaire:

  • Jawbreaker (1999)
  • The Ninth Configuration (1980)
  • Luck (2009)
  • Pandorum (2009)
  • Daybreakers (2010)

Mots-clés

Histoire

In a dystopian future, the U.S. government organizes an annual, deadly cross-country race called 'Death Race 2000'. Participants score points by hitting pedestrians with their armed vehicles. This year, Frankenstein, the legendary and mysterious returning champion, has a secret passenger from the underground resistance. He's joined by four other teams, each consisting of one man and one woman. The race begins, and the competitors drive across America, wreaking havoc and killing innocents for entertainment.

Résumé

Directed by Paul Bartel in 1975, 'Death Race 2000' is a dystopian sci-fi action comedy that spoofs reality TV shows. The film uses the premise of a deadly race to critique societal violence and voyeurism, set against a backdrop of totalitarian rule. Despite its serious themes, it maintains a satirical tone throughout.

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