La pianiste (2001)
Année de sortie: 2001
Alternative Title: La profesora de piano, Die Klavierspielerin, Pianistka, Pianisten, Klaveriõpetaja, La pianista, Pianolärarinnan, Pianonopettaja, I daskala tou pianou, A zongoratanárnő, Pianolærerinnen, Pianistka, Profesorka klavira, Пианистка, Piyanist, The Piano Teacher
Réalisateur: Michael Haneke
Writer: Elfriede Jelinek, Michael Haneke
Production & Genre
Producteur: N/A
Sociétés: Wega Film, MK2 Films, Les Films Alain Sarde, ARTE France Cinéma
Genre: Drama, Erotic Thriller, Film Based On Literature, Music, Romance Film
Budget: 6.200.000
Récompenses & Similaires
Récompenses:
Similaire:
Mots-clés
Mots-clés: mother, concert, based on novel or book, fetish, conservatory, masochism, victim, piano lessons, teacher, love, perversion, loneliness, female protagonist, pianist, attraction, vienna, austria, desire, domineering mother, older woman younger man relationship, character study, voyeurism, piano, abuse, repression, self-harm, complex, mother daughter relationship, age-gap relationship, kink, power dynamics, romantic, bold
Histoire
Erika Kohut, a middle-aged piano teacher living with her dominating yet submissive mother, struggles to maintain control over her life. She teaches music, specializing in Schubert and Schumann, but her skills aren't at concert level. Erika visits a sex shop to watch DVDs and wanders through a drive-in theater staring at couples having sex. Walter Klemmer, a self-assured student with musical talent, auditions for her class and expresses his attraction towards her. Erika initially responds coldly but then demands that he let her lead their relationship. She subsequently changes the dynamics by writing him a letter inviting him into her sexual fantasies.
Résumé
La pianiste is a 2001 drama directed by Michael Haneke, adapted from Elfriede Jelinek's novel of the same name. The film explores Erika Kohut's psychological journey as she navigates her desires and obsessions. Haneke portrays Erika's complex relationships with her mother, students, and lover through a lens of control and power dynamics. It is known for its unflinching exploration of sexuality, desire, and the consequences of manipulating others.
