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Affiche pour Storia di Piera (1983)

Storia di Piera (1983)

Année de sortie: 1983

Nation: France, Germany, Italy

Alternative Title: Historia de Piera, A Estória de Piera, L'histoire de Pierra, I istoria tis Piera, Piera története, ピエラ 愛の遍歴, Historien om Piera, Historia Piery, História de Piera, История Пьеры, Piera'nın Öyküsü, Die Geschichte der Piera, The Story of Piera

Réalisateur: Marco Ferreri

Writer: Dacia Maraini, Marco Ferreri, Piera Degli Esposti

Production & Genre

Producteur: N/A

Sociétés: Faso Film, Sara Films, Ascot Film

Genre: Biography, Drama, Lgbt-Related Film

Budget: N/A

Récompenses & Similaires

Récompenses:

  • 3 wins & 3 nominations

Similaire:

  • The Greatest Story Ever Told (1965)
  • Taghiyev: Oil (2024)
  • Saina (2021)
  • Sophie Scholl: The Final Days (2005)
  • The Perfect Storm (2000)

Mots-clés

Histoire

Storia di Piera is a complex narrative revolving around the incestuous relationship between a mother and daughter, Eugenia and Piera Degli Esposti. The story unfolds in a small provincial Italian town where Eugenia, a liberated woman with a penchant for zooming around on her bicycle and engaging strangers at the train station, lives with her spaced-out husband, Professor Lorenzo. Still a grown child, Piera is drawn into her mother's sexual exploits with other men, leading to both physical health issues and emotional instability. This unconventional lifestyle takes its toll as Eugenia is repeatedly committed to psychiatric clinics. By the time Piera grows up, both of her parents are institutionalized in separate mental hospitals, each exhibiting sexually eccentric behaviors.

Résumé

Storia di Piera (1983), directed by Marco Ferreri, is a biographical drama based on the life of Italian theater actress Piera Degli Esposti. The film focuses primarily on Eugenia, Piera's mother, and their incestuous relationship. Set in a small Italian town, the story explores themes of sexual liberation, mental illness, and the complex dynamics of family relationships. While it is loosely based on Piera's autobiography, the narrative leans more towards Eugenia's character and experiences.

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