Vallanzasca - Gli angeli del male (2010)
Année de sortie: 2010
Alternative Title: Engel des Bösen - Die Geschichte eines Staatsfeindes, L'ange du mal (Vallanzasca), Angels of Evil, Il fiore del male, Vallanzasca - O Anjo do Mal, Angel of Evil - Vallanzasca
Réalisateur: Michele Placido
Writer: Andrea Leanza, Andrea Purgatori, Angelo Pasquini, Antonella D'Agostino, Antonio Leotti, Carlo Bonini, Kim Rossi Stuart, Michele Placido, Renato Vallanzasca, Toni Trupia
Production & Genre
Producteur: N/A
Sociétés: Babe Films, Cosmo Productions, Canal+, Fox International Productions Italy
Budget: 10.000.000
Récompenses & Similaires
Récompenses:
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Mots-clés
Mots-clés: prisoner, kidnapping, italy, bank robber, controversy, murder, criminal
Histoire
The movie 'Vallanzasca - Gli angeli del male' chronicles the criminal career of Renato Vallanzasca (Kim Rossi Stuart) and his gang in Milan during the 1970s. Starting as juvenile delinquents, they progress to robbery and eventually murder. With their illegal activities come wealth and a high life. Renato falls for Consuelo, a woman he meets at the start of his criminal career, who stays with him through his arrests and escapes. The gang's killing of two policemen at Dalmine marks a turning point, leading to Vallanzasca's arrest. While imprisoned, Renato has the chance to settle old scores with Francis Turatello ('Faccia d'angelo'). After his escape from prison, Renato turns to Antonella, a childhood friend who has remained loyal to him throughout his life. Despite his attempts to start anew, Vallanzasca continues his criminal lifestyle as a fugitive.
Résumé
'Vallanzasca - Gli angeli del male', directed by Michele Placido in 2010, is a crime film that follows the rise and fall of notorious Italian criminal Renato Vallanzasca. The movie captures a snapshot of Italy's recent history through Vallanzasca's life story, from his early crimes with his childhood friends to his eventual downfall. It explores themes of power, loyalty, and the consequences of a life lived on the fringes of society.
