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Affiche pour Voyez comme ils dansent (2011)
Rank #7521

Voyez comme ils dansent (2011)

Année de sortie: 2011

Nation: Canada, France, Switzerland

Alternative Title: Onlari Dans Ederken Seyret

Réalisateur: Claude Miller

Writer: Claude Miller, Natalie Carter, Roy Parvin

Production & Genre

Producteur: N/A

Sociétés: Alicéléo, Filmarto, France 2 Cinéma, Les Productions JMH

Genre: Drama, Flashback Film

Budget: N/A

Récompenses & Similaires

Récompenses:

  • 1 win & 1 nomination

Similaire: N/A

Histoire

The film 'Voyez comme ils dansent' (2011) directed by Claude Miller explores a complex love triangle involving two women and one man, Victor. The story begins with Lise, who is deeply in love with Victor but has not seen him in years. Meanwhile, Alex meets Vic in Alberta, Canada, unaware that he is the same person as Lise's Victor. The narrative then alternates between the present timeline and flashbacks, revealing the relationships between these characters and their shared history. Victor/Vic is a captivating performer who mesmerizes both women, with James Thierrée portraying this enigmatic figure. The story unfolds in an unconventional manner, moving away from Paris to Canada's less familiar settings like Montreal and a Mohawk reservation.

Résumé

Voyez comme ils dansent' is a unique exploration of love, memory, and human complexity by acclaimed French director Claude Miller ('La meilleure façon de marcher', 'Garde à vue'). Despite its seemingly trite premise of a love triangle, the film stands out due to Miller's distinctive storytelling style. He shifts the action from Paris to Canada, creating unfamiliar bearings for viewers and adding depth through non-linear flashbacks that delve into the minds of the two female protagonists, Lise (Marina Hands) and Alex (Maya Sansa). The film centers around Victor/Vic (James Thierrée), a mesmerizing performer whose physical absence amplifies his psychological presence. Although not much is revealed about the characters' backgrounds or motivations beyond their entanglement with Victor/Vic, the film's strength lies in Miller's exploration of the dark side of human emotions and his masterful direction of actors.

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