Scène de Forbidden Games (1995)
Détails de la scène
| Durée: 261 sec.. | Nudité: yes | Créateur: erotic4u |
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| Format de fichier: AOMedia Video 1 (WebM/AV1) | Résolution: 720x544 | Ajouté: 2011-01-21 |
Actrices dans cette scène
Nom de naissance: Ashlie Rhey
Date de naissance: 1961-08-17
Lieu de naissance: Wheeling, Ohio County, United States
Détails
Noms alternatifs: Ashlee Rhey , Ashley Rhey , Ashley Riley
Caractéristiques physiques:
Carrière
Premières apparitions:
Rôles les plus importants:
Points forts de carrière:
Biographie complète
Actress and comedienne Ashlie Rhey was born in Wheeling, West Virginia and grew up in Navarre, Ohio, where she graduated from Fairless High School with the Class of 1979.
Ashlie was cast in her very first acting role while working as a model with Wilhelmina Models. Ashlie's modeling career took her to Europe and upon returning to the west coast she began pursuing her career as an actress. It was at that time that her theatrical agent received a casting call from Playboy landing Ashlie in seven newsstand specials and a pictorial for Playboy Australia. She went on to fill numerous roles for film and television productions for Playboy Enterprises.
During her studies for acting she also worked as a hand model and body double. She poked the Pillsbury Doughboy and was the hands of supermodels Rachel Hunter, Niki Taylor and others in their cosmetics commercials. Kelly Lynch, Lara Flynn Boyle, Sarah Jessica Parker and Valeria Golino are a few of the actresses for whom Ashlie body-doubled in their movie posters and video box covers.
One of Ashlie's early roles was as Shannon Thronton in the Telley Award winning Soap Opera Secrets. She then obtained some small roles and quickly landed her first starring role in the independent horror film The Summoned (1992). Her next break came when she was cast as the star of Bikini Drive-in (1995).
In 2008 Ashlie began performing stand up comedy for the Spiritual, but not Religious in Sanctimonious Comedy and she created, wrote, produced, directed and starred in the sitcom pilot Daisy Power (2008).
Along with her performance work Ashlie has followed a life long interest in alternative medicine, spiritual growth and the healing arts. She is a Reiki Master, an L.M.T. and a certified Laughter Yoga Leader. Ashlie also studied at the School for Enlightenment and Healing and she follows a path of personal transformation.
À propos du film: Forbidden Games (1995)
Année de sortie: 1995
Nation: United States
Titre alternatif: Apagorevmena paihnidia, Im Sog der Verlockung, Jocuri interzise
Réalisateur: Edward Holzman
Scénariste: Edward Holzman
Production & Genre
Producteur(s): Producer: Edward Holzman, Gilbert Alexander Wadsworth III
Executive Producer: Alan B. Bursteen
Sociétés: Contact Film
Genre: Drama
Mots-clés
Mots-clés: barefoot female, bribery, conspiracy, erotic thriller, erotica, female frontal nudity, female full frontal nudity, female nudity, female rear nudity, independent film, lesbian, lesbianism, murder, psychic, seduction, threesome, whodunnit mystery
Histoire
Private investigator Michael, who possesses psychic powers allowing him to see clues subconsciously, is hired to investigate the death of wealthy Charles. Michael must determine whether Charles' death was accidental or murder. Several suspects emerge, including Charles' wife and daughter, his mistress, and a nude modeling agency he was involved with. As Michael delves deeper into the case, he uses his unique abilities to unravel the clues leading him closer to the truth.
Résumé
Forbidden Games (1995) is a dramatic thriller directed by Edward Holzman. The film centers around its titular character, Michael, a private investigator with extraordinary psychic powers that aid him in solving cases. When hired to investigate the suspicious death of Charles, a wealthy man with multiple potential beneficiaries, Michael becomes entangled in a web of deceit and corruption. The movie explores themes of wealth, power, and the lengths people will go to protect their interests. Despite its intriguing premise, reviews suggest that the film's execution may not fully capitalize on its potential.