Actrice: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Titre du film: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

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Détails de la scène

Durée: 72 sec..Nudité: yesCréateur: Herve431
Nouvelle taille de fichier: Loading...Son: yesAncienne taille de fichier: 14 mb
Format de fichier: AOMedia Video 1 (WebM/AV1)Résolution: 720x308Ajouté: 2011-12-13

Actrices dans cette scène


Image d'aperçu Belén Fabra
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Nom de naissance: Belén Fabra

Date de naissance: 1977-11-03

Lieu de naissance: Tortosa, Negros Occidental, Philippines

Détails

Noms alternatifs: Belen Fabra

Caractéristiques physiques: N/A

Carrière

Premières apparitions:

  • Carles, príncep de Viana (2001) comme Caterina

Rôles les plus importants:

  • Lolita's Club (2007) comme Olga
  • The Perfect Family (2021) comme Gloria
  • Diary of a Nymphomaniac (2008) comme Valérie
  • Black Flowers (2009) comme Sandrine
  • Pactar amb el gat (2007) comme Sara
  • Tocats pel foc (2020) comme Isa
  • Chinas (2023) comme Doña Angelines
  • M.O.M (2021) comme
  • The Corpse of Anna Fritz (2015) comme Nurse 1
  • Joc de mentides (2003) comme Dependienta

Points forts de carrière:

  • Lolita's Club (2007)
  • The Perfect Family (2021)
  • Diary of a Nymphomaniac (2008)
  • Black Flowers (2009)
  • Pactar amb el gat (2007)
  • Tocats pel foc (2020)
  • Chinas (2023)
  • M.O.M (2021)
  • The Corpse of Anna Fritz (2015)
  • Joc de mentides (2003)

Récompenses

Récompenses:

  • Nominated for 1 Gaudí Award - Best Supporting Actress (Millor Actriu Secundària) (2012)
  • Nominated for 1 Gaudí Award - Best Performance by an Actress in a Leading Role (Millor Interpretació Femenina Principal) (2009)

Biographie complète

Belén Fabra Homedes is a Spanish actress. She made her breakthrough with the 2007 play Plataforma, for which she was nominated for the Premios Max and the Valle-Inclán de Teatro Award. She is fluent in Catalan, Spanish and English and she can speak Italian. Belén was nominated for the Gaudí Award for Best Performance by an Actress in a Leading Role for her role in the notorious 2008 erotic film "Diario de una ninfómana".


À propos du film: Diario de una ninfómana (2008)

Poster for Diario de una ninfómana (2008)
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Année de sortie: 2008

Nation: Spain

Titre alternatif: Ühe nümfomaani päevik, Bir kadinin seks günlügü, Deník nymfomanky, Diário Proibido, Diari d'una nimfòmana, Diary of a Nymphomaniac, Diary of a Sex Addict, Dziennik nimfomanki, En nymfomans bekännelse, I nymfomanis, Insatiable: Diary of a Sex Addict, Valerie - Diario di una ninfomane

Réalisateur: Christian Molina

Scénariste: Cuca Canals, Valérie Tasso

Production & Genre

Producteur(s): executive producer / producer: Mariví de Villanueva, Julio Fernández
executive producer: Carlos Fernández
producer: Fernando Monje
line producer: Carla Pérez de Albéniz

Sociétés: Filmax, Canonigo Films

Genre: Drama, Romance

Récompenses & Similaires

Récompenses:

  • 3 nominations

Similaire:

  • Hitozuma hentai biyoshitsu (1994)
  • Live With an Actress (2017)
  • B.E.D (2012)
  • Beauty Salon: Special Service (2016)
  • Ôgi kaikan: Tsuya (1987)

Mots-clés

Histoire

Valére is close with her French grandmother Marie Tasso and decides to start writing a diary about her life experiences at Marie's suggestion. Valère recalls her promiscuous past, beginning from when she first had sex at age 15. After losing her job due to downsizing and learning of Marie's death, Valère seeks new employment. During an interview with executive Jaime, she falls in love but soon discovers he is not satisfying in bed. They move in together, and Valère believes she has found the man of her life until she becomes pregnant and Jaime refuses to recognize the baby as his own.

Résumé

Diario de una ninfómana (2008) directed by Christian Molina is a drama-romance film centered around Valére, a woman reflecting on her promiscuous past while navigating present challenges. The movie explores themes of love, sexual freedom, and personal growth as Valère confronts her experiences through writing a diary, reminiscent of Belle de Jour (1967). It also touches upon the complexities of relationships and acceptance.