Scène de Drunks (1995)
Détails de la scène
| Durée: 181 sec.. | Nudité: yes | Créateur: supers992 |
| Nouvelle taille de fichier: Loading... | Son: yes | Ancienne taille de fichier: 107 mb |
| Format de fichier: AOMedia Video 1 (WebM/AV1) | Résolution: 1920x1080 | Ajouté: 2014-08-29 |
Actrices dans cette scène
Nom de naissance: Anna Levine
Date de naissance: 1953-09-18
Lieu de naissance: New York City, New York, United States
Détails
Noms alternatifs: Anna Levine Thompson, Anna Levine Thomson, Anna Thompson, Anna Thomson
Caractéristiques physiques: N/A
Biographie complète
Distinguished character actress Anna Levine's cinematic career has been a unique blend of two distinct paths, much like two disparate worlds coexisting within her. Recognized by industry professionals for her subtle and compelling portrayals of supporting roles in notable films such as "Heaven's Gate" (1980), "Wall Street" (1987), and "Unforgiven" (1992), Levine has earned admiration for her acting prowess. Simultaneously, the well-endowed Levine has captivated enthusiasts of adult entertainment with her bold and uninhibited performances that often feature nudity.
In films like "Drunks" (1995) and "Sue" (1997), Levine offered generous glimpses of her cleavage. She also displayed her assets prominently in "Fast Food Women" (2000) and "Six Ways to Sunday" (1997). However, Levine's on-screen appearances are not limited to low-budget erotic films; she stretched the boundaries of explicit content with a lesbian-themed fantasy involving a shaved vulva in "Fiona" (1998).
In "Bridget" (2002), Levine delivered an intense performance as a nude woman marched blindfolded through city streets after enduring a grueling ordeal of naked push-ups surrounded by threatening men. Her raw emotionality brought depth to the scene, revealing her ability to evoke empathy and intrigue.
Levine's last credited role was in the mockumentary "Social Anxiety" (2012), after which her career trajectory remains uncertain. It is speculated that she may have retired from acting to lead a quieter life, but fans hope for at least one more on-screen appearance before she hangs up her metaphorical 'suck sacks.'
À propos du film: Drunks (1995)
Année de sortie: 1995
Nation: United States
Titre alternatif: Uma Dose de Esperança, Alcohòlics, Piások, O Clube dos Marginais
Réalisateur: Peter Cohn
Scénariste: Gary Lennon
Production & Genre
Producteur(s): Producer: John N. Hart, Peter Cohn, Gary Lennon, Ilene S. Landress, Tom Carouso, Burtt Harris, Shireen Meistrich, Larry Meistrich
Sociétés: Northern Lights Entertainment, BMG Independents, Kardana Productions
Genre: Drama
Récompenses & Similaires
Récompenses:
Similaire:
Mots-clés
Mots-clés: new york city, drug addiction, addiction, alcoholism, alcoholic, widower, drunk, manhattan, new york city, sobriety, relapse, alcohol problems, alcoholics anonymous, recovering drug addict
Histoire
At the beginning of a nightly Alcoholics Anonymous meeting, Jim seems particularly troubled. His sponsor encourages him to talk that night, the first time in seven months, so he does - and leaves the meeting right after. As Jim wanders the night, searching for some solace in his old stomping grounds, bars and parks where he bought drugs, the meeting goes on, and we hear the stories of survivors and addicts - some, like Louis, who claim to have wandered in looking for choir practice, who don't call themselves alcoholic, and others, like Joseph, whose drinking almost caused the death of his child - as they talk about their lives at the meeting
Résumé
As the Alcoholics Anonymous meeting commenced, Jim appeared unusually perturbed. His sponsor urged him to share for the first time in seven months, after which he promptly exited. While Jim traversed the city's familiar haunts seeking solace, the meeting continued. Stories unfolded - Louis' tale of wandering in search of a choir, his denial of alcoholism; Joseph's harrowing account of near-fatal drinking that endangered his child. Each narrative a testament to survival and struggle.