Scène de L'Universale (2016)
Détails de la scène
| Durée: 27 sec.. | Nudité: yes | Créateur: Ruffah |
| Nouvelle taille de fichier: Loading... | Son: yes | Ancienne taille de fichier: 20 mb |
| Format de fichier: AOMedia Video 1 (WebM/AV1) | Résolution: 1920x800 | Ajouté: 2017-04-27 |
Actrices dans cette scène
Nom de naissance: Margherita Vicario
Date de naissance: 1988-02-13
Lieu de naissance: Rome, Lazio, Italy
Détails
Noms alternatifs: Маргеріта Вікаріо
Caractéristiques physiques: N/A
Carrière
Premières apparitions:
Rôles les plus importants:
Points forts de carrière:
Récompenses
Récompenses:
Biographie complète
Margherita Vicario, born in Italy, is an Italian actress and singer-songwriter. She played a significant role in 'L'Universale' (2016), a film about a cultural landmark cinema theatre in Florence that brought together diverse audiences.
À propos du film: L'Universale (2016)
Titre alternatif: N/A
Réalisateur: Federico Micali
Scénariste: Federico Micali, Heidrun Schleef, Cosimo Calamini
Production & Genre
Producteur(s): Producer: Francesco Tatò, Fabio Lombardelli
Sociétés: L'Occhio e la Luna, Ministero dei Beni e delle Attività Culturali e del Turismo (MiBACT), Toscana Film Commission
Genre: Comedy
Mots-clés
Mots-clés: cheating girlfriend, female nudity, female rear nudity, friendship, infidelity, sex scene
Histoire
This is the story of 3 friends, destined to lose and find each other over and over again. More importantly, this is the (true) story of a film theatre in Florence, The Universale, which was a cultural landmark in the city between the '60s and the '80s. It was a theater of its own kind, bringing together intellectuals, students, as well as the people from San Frediano, a well-known working-class Quartiere. Such unusual mixture among the cinema-goers also produced a sort of creative chaos, which is explored through the eyes of Tommaso, the projectionist's son.
Résumé
In Florence's vibrant '60s to '80s cultural scene, a unique film theatre reigned supreme - The Universale. This cinematic hub was renowned for its eclectic patronage: intellectuals, students, and residents of the gritty San Frediano neighborhood mingled under its Art Deco marquee. The Universale's projector room bore witness to this creative tumult through Tommaso, son of the theatre's projectionist, as he navigated three lifelong friends destined to lose and find each other repeatedly amidst the city's ever-changing landscape.