Scène de Ulovit miliardare (2009)
Détails de la scène
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Actrices dans cette scène
Nom de naissance: Ester Janečková
Date de naissance: 1972-12-15
Lieu de naissance: Prague, Czech Republic
Détails
Noms alternatifs: Ester Janeckova, Ester Janecková
Caractéristiques physiques: N/A
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Biographie complète
Ester Janecková, known for her role in the 2009 film 'Ulovit miliardare', played a character who was accused of racism, sparking a public outcry and media campaign against her.
Nom de naissance: Kateřina Sedláková
Date de naissance: 1986-10-08
Lieu de naissance: Czech Republic
Détails
Noms alternatifs: Katka Sedláková, Katerina Sedláková, Katerina Pechová, Kateřina Pechová
Caractéristiques physiques: N/A
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Biographie complète
Katerina Sedláková starred as 'Zuzana Grossmannova' in the 2009 Czech film 'Ulovit miliardare'. The movie revolves around a fabricated report accusing successful businessman Patrik Grossmann of racism, leading to widespread media scrutiny and public hostility.
À propos du film: Ulovit miliardare (2009)
Titre alternatif: Ulovit miliardáře, Milyarderi Avla, Catch the Billionaire
Réalisateur: Tomás Vorel
Scénariste: Martin Nezval, Tomás Vorel
Production & Genre
Mots-clés
Mots-clés: corruption, czechsploitation, deep cleavage, dog, female frontal nudity, female full frontal nudity, female nudity, female topless nudity, large breasts, man swims nude, media, populism, satire, satire comedy, sex scene, strip club, tv watch, woman swims nude
Histoire
Ulovit miliardare (2009) follows the story of Patrik Grossmann, a successful businessman who becomes the target of a smear campaign after a fabricated accusation of racism surfaces. The media launches an intense attack on him, leading to widespread public opinion turning against him. Despite the hostility, everyone seems eager to take advantage of his situation, hoping to 'catch' a billionaire. The film explores how Grossmann navigates this difficult period as he fights against these baseless accusations.
Résumé
'Ulovit miliardare', a Czech comedy directed by Tomás Vorel in 2009, is a critique on society's fascination with the wealthy and its willingness to condemn them without sufficient evidence. The film explores themes of media bias, public opinion manipulation, and the human tendency to pile onto those perceived as powerful or successful. Despite its serious underlying messages, it maintains a comedic tone throughout.