Scène de Splav meduze (1980)
Détails de la scène
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Actrices dans cette scène
Nom de naissance: Vladislava Milosavljević
Date de naissance: 1955-07-08
Lieu de naissance: Belgrade, City of Belgrade, Serbia
Détails
Noms alternatifs: Vladica Milosavljević, Vladica Milosavljevic
Caractéristiques physiques: N/A
Carrière
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Récompenses
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Biographie complète
Vladislava Milosavljević starred in the 1980 Yugoslav film 'Splav meduze'. She was part of a group led by Serbian futurist/dadaist poet Ljubisa Micic, known as the Zenith movement. The group traversed rural areas of what was then the Kingdom of Serbs, Croats and Slovenes, engaging in avant-garde activities influenced by prominent European artists like Tristan Tzara and Vladimir Mayakovsky.
À propos du film: Splav meduze (1980)
Titre alternatif: A tutaj utasai, Tratwa meduzy, Medusas flotte, The Medusa Raft, Das Floß der Medusa
Réalisateur: Karpo Acimovic-Godina
Scénariste: Branko Vucicevic
Production & Genre
Producteur(s): executive producer (uncredited): Zoran Milatovic
Sociétés: Viba film, Radiotelevizija Beograd
Genre: Drama
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Mots-clés
Histoire
In the early 1920s, a group of bohemian artists, led by Serbian futurist/dadaist poet Ljubisa Micic, traverse the rural landscapes of what was then the Kingdom of Serbs, Croats and Slovenes. They establish an avant-garde movement called Zenithism. Throughout their journey, they encounter diverse figures such as Tristan Tzara and Vladimir Mayakovsky, and are accompanied by brave, eccentric women and strongmen like Zampone from Fellini's 'La strada'. As they navigate the muddy roads, they engage in artistic pursuits and exchange ideas with famous contemporaries.
Résumé
Splav meduze (1980) is a Yugoslavian drama film directed by Karpo Acimovic-Godina. Set against the backdrop of early 20th-century Balkans, it chronicles the misadventures of a group of artists and bohemians led by Ljubisa Micic. The film explores themes of artistic genius, eccentricity, and the struggles faced by those who dare to push boundaries. Although specifics about plot events are scarce in the provided sources, it is clear that the movie is a celebration of the avant-garde spirit, capturing the essence of Zenithism and its proponents' interactions with notable figures from the art world.