Scène de L'ennui (1998)
Détails de la scène
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Actrices dans cette scène
Nom de naissance: Sophie Anne Guillemin
Date de naissance: 1977-12-01
Lieu de naissance: 15th arrondissement of Paris, France
Détails
Noms alternatifs: 索菲·吉耶曼
Caractéristiques physiques: N/A
Carrière
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Récompenses
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Biographie complète
Sophie Guillemin, born in France, gained prominence for her role as Cécilia in the 1998 French film 'L'ennui'. The movie revolves around Martin, a middle-aged philosophy teacher struggling with a mid-life crisis who becomes embroiled in a passionate yet purely erotic relationship with Cécilia, an artist's model. Guillemin's character is described as having a 'sharp descent into violent jealousy', suggesting intense emotions and perhaps even dangerous tendencies.
À propos du film: L'ennui (1998)
Titre alternatif: O Tédio, Liebe, Sex und Leidenschaft, Meine Heldin, Az unalom, Boredom, La noia, 倦怠, Nuda, Желание, Tedio, Can Sıkıntısı
Réalisateur: Cédric Kahn
Scénariste: Alberto Moravia, Cédric Kahn, Gilles Taurand, Laurence Ferreira Barbosa
Production & Genre
Producteur(s): Producer: Paulo Branco
Sociétés: CNC, Canal+, Gemini Films, Ima Films, Madragoa Filmes
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Mots-clés
Mots-clés: based on novel or book
Histoire
Martin, a middle-aged philosophy teacher, feels restless and dissatisfied with his life. He becomes intrigued by Cecilia, a young woman suspected of driving an artist to his death due to her intense sexual appetite. Despite finding her irritating, Martin initiates an affair with Cecilia, which remains purely erotic as they share no intellectual connection. As their relationship progresses, Martin becomes increasingly obsessed with possessing Cecilia, leading him down a path of violent jealousy.
Résumé
Directed by Cédric Kahn in 1998, 'L'ennui' is a French-Portuguese drama and romance film that is a respectable adaptation of Alberto Moravia's controversial novel. The story revolves around Martin, a philosophy teacher grappling with his mid-life crisis, who becomes involved with Cecilia, a young woman suspected of causing an artist's death through her intense sexual desires. Kahn displays maturity as a director in exploring the themes of obsession and violent jealousy that develop between the two characters.