Scène de Flesh for Frankenstein (1973)
Détails de la scène
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Actrices dans cette scène
Détails
Noms alternatifs: Dalila Di Lamar, Dalila Di Lamar, Dalila Parker, Dalila Parker
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Biographie complète
Dalila Di Lazzaro (born 29 January 1953) is an Italian model, actress and writer.
Born in Udine, she started as fashion model and as subject of the most world famous photographers such as Andy Warhol, then she gained attention in tabloid press, as supposed relative of Sophia Loren and even a potential rival in love.
Between the mid-70's and the early 80's Di Lazzaro worked in notable films with directors such as Alberto Lattuada, Luigi Comencini, Florestano Vancini and Jacques Deray, then focused primarily on television. In 1983 she refused the role of Domino, later played by Kim Basinger, in Never Say Never Again.
Her last participation in a movie is on 2013 : L'Ultima ruota del carro, movie of the director: Giovanni Veronesi
Nom de naissance: Fiorella Masselli
Date de naissance: N/A
Lieu de naissance: N/A
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Fiorella Masselli, born in Serbia during the 20th century, was known for her role as the Baroness Katrin in the 1973 film 'Flesh for Frankenstein'. In the movie's narrative, she is married to Baron Frankenstein and has two children. She becomes infatuated with Nicholas, a farmhand who was a friend of the dead young man whose brain was used by her husband in his creation.
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Imelde Marani was born on February 10, 1950 in Bologna, Italy. She is an actress, known for Caliber 9 (1972) , Death Steps in the Dark (1977) and The Crimes of the Black Cat (1972) .
Nom de naissance: Monique van Vooren
Date de naissance: 1927-03-25
Lieu de naissance: City of Brussels, Arrondissement of Brussels-Capital, Belgium
Détails
Noms alternatifs: Monique Bronz, Monique Bronze, Monique Van Voren
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Monique van Vooren (born Monique Bronz or Bronze) was a Belgian-born American actress and dancer.
Détails
Noms alternatifs: Rosita Toros, Rosa Toros, Rosita Torosch, Rosa Torosh
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Rosita Torosh was an Italian actress who active during her lifetime (1945-1995).
À propos du film: Flesh for Frankenstein (1973)
Année de sortie: 1973
Nation: France, Italy, United States
Titre alternatif: Andy Warhol's Young Frankenstein, Frankenstein, The Devil and Dr. Frankenstein, Up Frankenstein, Carne para Frankenstein, Frankenstein, teurastaja, De la chair pour Frankenstein, O varonos Frankenstein, Sarka gia ton Frankenstein, Zombi enantion Frankenstein, Test Frankensteinnek, Il mostro è in tavola... barone Frankenstein, Cialo dla Frankensteina, Andy Warhol's Frankenstein, The Frankenstein Experiment
Réalisateur: Antonio Margheriti, Paul Morrissey
Scénariste: Mary Shelley, Pat Hackett, Paul Morrissey, Tonino Guerra
Production & Genre
Producteur(s): Producer: Andrew Braunsberg, Andy Warhol, Carlo Ponti, Jean Yanne, Louis Peraino
Co-Producer: Jean-Pierre Rassam
Sociétés: Braunsberg Productions, C. C. Champion, Carlo Ponti Cinematografica, Rassam Productions, Yanne et Rassam
Genre: Cult, Film Based On Literature, Horror, Sci-Fi, Science Fiction Film
Récompenses & Similaires
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Mots-clés
Mots-clés: incest, monster, seduction, video nasty, zombie
Histoire
In Serbia, the middle-aged Baron Frankenstein lives with his wife/sister Baroness Katrin and their two teenage children Monica and Erik. The Baron dreams of creating a super-race to restore Serbia's glory. In his laboratory, assisted by Otto, he constructs a desirable female body but needs a potent male counterpart. He mistakenly uses the head of an ascetic man instead of the intended farmhand Nicholas whom the Baroness lusts after. Meanwhile, Nicholas tries to free his dead friend while the Baron attempts to mate his two zombies. The film ends with a chaotic confrontation between the Frankenstein family and their creations.
Résumé
Flesh for Frankenstein (1973) is an experimental horror film directed by Antonio Margheriti and Paul Morrissey, heavily influenced by Andy Warhol's Factory aesthetic. It follows the decadent Baron Frankenstein and his assistant Otto as they create life from stitched-together body parts in their Serbian mansion. The film blends humor, sexuality, and graphic violence to subvert traditional horror tropes, while exploring themes of desire, incest, and ambition. Despite heavy editing upon its initial release, it remains a cult classic within the genre.