Actrice: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Titre du film: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

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Détails de la scène

Durée: 710 sec..Nudité: yesCréateur: zorg
Nouvelle taille de fichier: Loading...Son: yesAncienne taille de fichier: 646 mb
Format de fichier: AOMedia Video 1 (WebM/AV1)Résolution: 1920x856Ajouté: 2024-03-07

Actrices dans cette scène

Image d'aperçu Dayle Haddon
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Nom de naissance: Dayle Haddon

Date de naissance: 1948-05-26

Lieu de naissance: Montreal, Quebec, Canada

Détails

Noms alternatifs: N/A

Caractéristiques physiques:

  • Height: 5′ 7″ (1.71 m)
  • Eye Color: green

Carrière

Premières apparitions:

  • The World's Greatest Athlete (1973) comme Jane

Rôles les plus importants:

  • Cyborg (1989) comme Pearl Prophet
  • The World's Greatest Athlete (1973) comme Jane
  • Celebrity (1998) comme Waiting Room Patient
  • Bedroom Eyes (1984) comme Alice
  • North Dallas Forty (1979) comme Charlotte Caulder
  • Paroles et musique (1984) comme Corinne
  • Paperback Hero (1973) comme Joanna
  • Gambling City (1975) comme Maria Luisa
  • Madame Claude (1977) comme Elizabeth
  • Sex with a Smile (1976) comme Marina (episodio "La guardia del corpo")

Points forts de carrière:

  • Cyborg (1989)
  • The World's Greatest Athlete (1973)
  • Celebrity (1998)
  • Bedroom Eyes (1984)
  • North Dallas Forty (1979)
  • Paroles et musique (1984)
  • Paperback Hero (1973)
  • Gambling City (1975)
  • Madame Claude (1977)
  • Sex with a Smile (1976)

Biographie complète

Dayle Haddon is a Canadian model and actress, presently known for promoting anti-aging products manufactured by L'Oréal. Additionally, she is credited as author of Ageless Beauty: A Woman's Guide to Lifelong Beauty and Well-Being.

Image d'aperçu Stefania Casini
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Nom de naissance: Stefania Casini

Date de naissance: 1948-09-04

Lieu de naissance: Villa di Chiavenna, Italy

Détails

Noms alternatifs: Stefania Cassini

Caractéristiques physiques: N/A

Carrière

Premières apparitions:

  • A Pocketful of Chestnuts (1970) comme Carla Lotito

Rôles les plus importants:

  • 1900 (1976) comme Neve
  • Blood for Dracula (1974) comme Rubinia
  • Buio come il cuore (2024) comme
  • The Belly of an Architect (1987) comme Flavia Speckler
  • Emergency Squad (1974) comme Marta Hayworth
  • The Bloodstained Shadow (1978) comme Sandra Sellani
  • Come ti rapisco il pupo (1976) comme Rita
  • Lontano da dove (1983) comme Desideria
  • Luna di miele in tre (1976) comme Graziella Luraghi
  • I prosseneti (1976) comme Odile

Points forts de carrière:

  • 1900 (1976)
  • Blood for Dracula (1974)
  • Buio come il cuore (2024)
  • The Belly of an Architect (1987)
  • Emergency Squad (1974)
  • The Bloodstained Shadow (1978)
  • Come ti rapisco il pupo (1976)
  • Lontano da dove (1983)
  • Luna di miele in tre (1976)
  • I prosseneti (1976)

Récompenses

Récompenses:

  • Nominated for 1 David - Best New Director (Migliore Regista Esordiente) (1984)
  • Nominated for 1 David - Best Supporting Actress (Migliore Attrice non Protagonista) (1984)

Biographie complète

After graduating in Architecture, Stefania began a career in acting and worked with Pietro Germi, Bernardo Bertolucci, Peter Greenaway and Dario Argento. She moved to New York in the late 1970s, where she acted in Andy Warhol's 'Bad'. While in New York she decided to move behind the camera, and became a director.

With Francesca Marciano, she wrote and directed the film "Lontano da dove", presented at the Venice Film Festival (1983). In 1997 she wrote and directed another feature film "Un Paradiso di Bugie". Her career as director also includes the making of six feature films for the Italian television network MEDIASET.

A passionate traveler, Stefania has made a great number of documentaries and reportages for RAI and MEDIASET. She focuses her attention on contemporary topics concerning women and young people. She has made many hard-hitting series including: "Islam: stories of women"; "Latin America: stories of women"; "To be 20 years old in..." (broadcast in ten European Countries 2004-2005); "So close so far :portraits in the suburbs". "Schiaffo alla mafia"(A blow to the Mafia)

Between 2000-2002 , Stefania was the Artistic Director of Siena's Film Festival "Terra di Siena". In 2010 she was Managing Director of DGTV IESTV.

Currently, Stefania writes and directs programs, reportages and documentaries for RAI, and for satellite channels: RAI Sat Cinema World, Gambero Rosso Channel, and Sky. She also works as a journalist, contributing to several popular women's magazines.

À propos du film: La cugina (1974)

Poster for La cugina (1974)
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Année de sortie: 1974

Nation: Italy

Titre alternatif: A Prima Desejada, I exadelfi mouX, The Cousin

Réalisateur: Aldo Lado

Scénariste: Ercole Patti, Luisa Montagnana, Massimo Franciosa

Production & Genre

Producteur(s): producer: Felice Testa Gay

Sociétés: Testa Gay Cinematografica, Unidis

Genre: Comedy, Drama, Erotic Film

Récompenses & Similaires

Récompenses: N/A

Similaire:

  • Alvin Rides Again (1974)
  • Vieni avanti cretino (1982)
  • Alvin Purple (1973)
  • Cruising Bar (1989)
  • Go As Messy As Messy Can Be (1971)

Mots-clés

Histoire

The story of 'La cugina' revolves around two cousins, Enzo and Agata, who have been attracted to each other since adolescence. Their relationship is marked by erotic games that balance between innocence and malice. However, Enzo becomes distracted from their shared pastime by his pursuit of pleasure with other women, neglecting his university studies for the 'abundant pleasures of the Sicilian beef.' Meanwhile, Agata marries Ninì, a man she chooses for his money and comfort rather than genuine affection. Once married, Agata reconciles with Enzo, indicating that her feelings for him have not diminished despite her strategic marriage.

Résumé

'La cugina' is a 1974 Italian film directed by Aldo Lado, a comedy-drama that explores the complex relationship between cousins Enzo and Agata. The film deals with themes of sexual attraction, youthful indulgence, and the pursuit of pleasure over responsibility. It also touches on the strategic nature of relationships when personal desires are secondary to material gain.