Détails de la scène
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Actrices dans cette scène
Nom de naissance: Marlène Jobert
Date de naissance: 1940-11-04
Lieu de naissance: Algiers, Algiers Province, Algeria
Détails
Noms alternatifs: Marlene Jobert
Caractéristiques physiques: N/A
Carrière
Premières apparitions:
Rôles les plus importants:
Points forts de carrière:
Récompenses
Récompenses:
Biographie complète
Marlène Jobert (born 4 November 1943) is a French Pied-Noir actress and author.
Jobert was born in Algiers, Algeria (then French territory), the daughter of Andrée (née Azoulay) and a father who flew for the French Air Force. She came to Metropolitan France when aged 8. Besides acting, she has been the author and/or narrator of (mainly children's) audio books. She also has written a series of books which cautiously lead on to the appreciation of classical music, e.g. of Mozart, Chopin, and Tchaikovsky.
Her daughter, Eva Green, by Swedish dentist Walter Green, is also an actress. Her other daughter Joy Green is in business school.
Titre alternatif: As Doces Assaltantes, Don't Take God's Children for Wild Geese, Majd a Leontine!, Nem szabad a gyerekeket alávaló cselekedetre kényszeríteni, Non bisogna scambiare i ragazzi del buon Dio per delle anatre selvatiche, Engelen zijn geen wilde beesten, Nie drażnić cioci Leontyny, Nie należy zmuszać dzieci do niegodziwości, A minha tara é o dinheiro, Operațiunea Leontine, No confundir las criaturas de Dios con los patos salvajes, Pang pang-bruden, Leontine, Ich laß mich nicht für dumm verkaufen, Opération Léontine
Réalisateur: Michel Audiard
Scénariste: Henri Viard, Jean-Marie Poiré, Michel Audiard
Production & Genre
Mots-clés
Mots-clés: 20th century, black cat, cave, europe, european comedy, european crime, female lead, female protagonist, freckles, french comedy, french crime, gay stereotype, nonsense, parody comedy, premarital sex, slapstick comedy, spoof, talking to the audience, trapped in a cave, winking
Histoire
Rita (Marlène Jobert), an ambitious and cunning young woman who associates with gangsters, is betrayed by her lover, Fred, after a heist involving a massive haul of gold bars. When another gang boss, Charles (Bernard Blier), also cheats her out of her share, Rita decides to take matters into her own hands. She seeks the help of her aunt Léontine (Françoise Rosay), a retired and legendary figure from the criminal underworld known for her ruthlessness. Together, they outsmart the seasoned criminals through a series of double-crosses and clever maneuvers, proving that Rita’s innocent appearance hides a sharp and dangerous mind.
Résumé
"Faut pas prendre les enfants du bon Dieu pour des canards sauvages" (released internationally as Leontine or Don't Take God's Children for Wild Geese) is a 1968 cult comedy that marks the directorial debut of legendary French screenwriter Michel Audiard.
The story revolves around Rita (played by Marlène Jobert), a seemingly naive and charming young woman who finds herself at the center of a high-stakes heist gone wrong. When her lover is betrayed and robbed of a massive shipment of gold bars by a gang of ruthless mobsters, Rita refuses to play the victim. Beneath her freckled, innocent exterior lies a brilliant and manipulative criminal mind.
To reclaim the loot, she seeks the help of her "aunt" Léontine (Françoise Rosay), a formidable retired gang leader who still commands immense respect in the underworld. Together, they navigate a world of eccentric gangsters, including the pompus Charles (Bernard Blier). Through a series of witty dialogues, absurd situations, and clever double-crosses, Rita proves that she is far more dangerous than any of the seasoned criminals she faces. The film is a stylish parody of the "policier" genre, celebrated for Audiard's trademark rhythmic slang and Jobert’s breakout performance as the mischievous puppet master.