Scène de Und bitte! (short) (2025)
Détails de la scène
| Durée: 190 sec.. | Nudité: yes | Créateur: supers992 |
| Nouvelle taille de fichier: Loading... | Son: yes | Ancienne taille de fichier: 95 mb |
| Format de fichier: AOMedia Video 1 (WebM/AV1) | Résolution: 1920x1080 | Ajouté: 2026-02-23 |
Actrices dans cette scène
Détails
Noms alternatifs: Gwen Lassauer
Caractéristiques physiques: N/A
Biographie complète
Gwen-Justine Maxi Kraft is a versatile Berlin-based actress, performer, and writer who is making a name for herself in the German artistic scene. Born in Frankfurt (Oder), she has developed a diverse portfolio that spans theater, television, and film.
Her work is characterized by an exploration of "in-between spaces," often blending classical influences with modern performance poetry and music to examine themes of vulnerability and transformation. On stage, she has performed at prestigious venues such as the Volksbühne am Rosa-Luxemburg-Platz and the Deutsches Theater Berlin, appearing in productions like Warten auf den Knall and Ideoten. Her television credits include a role in the long-running crime series Polizeiruf 110. Beyond acting, she is an emerging writer and creator, drawing inspiration from figures like Chekhov and the singer Nico to develop her own original material.
À propos du film: Und bitte! (short) (2025)
Production & Genre
Mots-clés
Mots-clés: Female Sexuality, Deconstruction, Staging & Performance, Power Dynamics
Histoire
"Und bitte!" is a short film about the staging of female sexuality in the tension between self-determination and external control. Inspired by the aesthetics of pornographic imagery, the film depicts seemingly intimate moments until it slowly becomes clear that everything is just a set. The protagonist moves through a reality that oscillates between authenticity and performance. Who is actually watching whom, and who is in control?
Résumé
Directed and conceived by Lucija Durinovic, "Und Bitte!" is an experimental short film (duration: 08:17 minutes) produced as a graduation project within the Moving Image department at the THWS Würzburg (University of Applied Sciences Würzburg-Schweinfurt) during the summer semester of 2025.
The film serves as a critical exploration of the staging of female sexuality, navigating the complex boundaries between self-determination and external control. By utilizing the aesthetic language of pornography to deconstruct supposedly intimate moments, Durinovic examines how visual narratives shape our perception of desire and power.