Actrice: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Titre du film: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

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Détails de la scène

Durée: 417 sec..Nudité: yesCréateur: zorg
Nouvelle taille de fichier: Loading...Son: yesAncienne taille de fichier: 580 mb
Format de fichier: AOMedia Video 1 (WebM/AV1)Résolution: 1800x1080Ajouté: 2026-02-19

Actrices dans cette scène

Image d'aperçu Béatrice Romand
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Nom de naissance: N/A

Date de naissance: 1952-04-16

Lieu de naissance: Birkhadem, Algeria

Détails

Noms alternatifs: Beatrice Romand, Béatrice Romand-Cogney

Caractéristiques physiques: N/A

Carrière

Premières apparitions:

  • Claire's Knee (1970) comme Laura

Rôles les plus importants:

  • A Tale of Autumn (1998) comme Magali
  • A Good Marriage (1982) comme Sabine
  • Claire's Knee (1970) comme Laura
  • Themroc (1973) comme Themroc’s Sister
  • The Romantic Englishwoman (1975) comme Catherine
  • Soft Beds, Hard Battles (1974) comme Marie-Claude
  • The House of the Yellow Carpet (1983) comme Franca
  • Rosette vend des roses (1985) comme
  • Love in the Afternoon (1972) comme Dream Sequence
  • Sex Shop (1972) comme Karin

Points forts de carrière:

  • A Tale of Autumn (1998)
  • A Good Marriage (1982)
  • Claire's Knee (1970)
  • Themroc (1973)
  • The Romantic Englishwoman (1975)
  • Soft Beds, Hard Battles (1974)
  • The House of the Yellow Carpet (1983)
  • Rosette vend des roses (1985)
  • Love in the Afternoon (1972)
  • Sex Shop (1972)

Récompenses

Récompenses:

  • Won Golden Phoenix - Best Actress (1982)

Biographie complète

Born as Béatrice Romand on April 16, 1952, in Birkadem (near Algiers), French Algeria, she is a celebrated French actress and director. Romand gained international recognition as a muse of the renowned New Wave director Éric Rohmer, appearing in iconic films such as Claire's Knee (1970), A Good Marriage (1982), and Autumn Tale (1998).

In 1973, she took a notable turn in the anarchic cult classic "Themroc," portraying the sister of the protagonist in a performance that highlighted her versatility beyond Rohmer's conversational dramas. Throughout her career, she has also worked in international productions, including the German television series Graf Yoster gibt sich die Ehre and the British-French film The Romantic Englishwoman (1975). In addition to her acting work, she has explored filmmaking as a director and continues to be a respected figure in European cinema.

À propos du film: Themroc (1973)

Poster for Themroc (1973)
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Année de sortie: 1973

Nation: France

Titre alternatif: Il mangiaguardie, Regresso às Cavernas, Темрок

Réalisateur: Claude Faraldo

Scénariste: N/A

Production & Genre

Producteur(s): Producer: Helène Vager, François de Lannurien

Sociétés: Filmanthrope, Les Productions FDL

Genre: Comedy, Drama, Horror Film

Récompenses & Similaires

Récompenses:

  • 2 wins & 1 nomination total

Similaire:

  • Southland Tales (2007)
  • Smokey and the Bandit (1977)
  • Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)
  • The Ninth Configuration (1980)
  • Big Words From A Small Man (2022)

Mots-clés

Mots-clés: absurdism

Histoire

Themroc, a bachelor house painter living with his mother, leads an unfulfilling life until one day he rebels against his mundane existence after a confrontation with his boss. He trashes his apartment, rejects modern society, and begins acting like a caveman, communicating solely through grunts and gestures. His radical transformation ripples outwards, causing chaos in his family and community as people struggle to comprehend his new way of life.

Résumé

Themroc (1973) is a French film directed by Claude Faraldo, starring Michel Piccoli as the titular character who undergoes a shocking transformation from a conformist bourgeois man into an urban Neanderthal. The film is notable for its complete absence of dialogue, with Piccoli's performance comprising only grunts and gestures to convey Themroc's rebellion against societal norms. It is a critique of modern society's expectations and the absurdity of human behavior when faced with nonconformity.