Scène de Nudo di donna (1981)
Détails de la scène
| Durée: 354 sec.. | Nudité: yes | Créateur: zorg |
| Nouvelle taille de fichier: Loading... | Son: yes | Ancienne taille de fichier: 396 mb |
| Format de fichier: AOMedia Video 1 (WebM/AV1) | Résolution: 1920x1080 | Ajouté: 2026-03-03 |
Actrices dans cette scène
Nom de naissance: Eleonora Giorgi
Date de naissance: 1953-10-21
Lieu de naissance: Rome, Lazio, Italy
Détails
Noms alternatifs: Элеонора Джорджи
Caractéristiques physiques: N/A
Carrière
Premières apparitions:
Rôles les plus importants:
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Récompenses
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Biographie complète
Eleonora Giorgi (born 21 October 1953) is an Italian actress. Giorgi was born in Rome, Italy. Her father was of Italian and English origin. Her mother was of Italian and Hungarian origin.
She made her film debut in a minor role in Paolo Cavara's horror film Black Belly of the Tarantula (1970) and subsequently appeared in nearly fifty films, mostly in prominent roles. Domenico Paolella's Story of a Cloistered Nun (1973), an important nunsploitation, marked her film debut, at age eighteen. She then took part in Il bacio (The kiss), a fantasy drama directed by Mario Lanfranchi, and in erotic comedies such as Salvatore Samperi's La sbandata (1974), in which she plays near Domenico Modugno and Luciana Paluzzi, Luciano Salce's Alla mia cara mamma nel giorno del suo compleanno (1974), Pasquale Festa Campanile's The Sex Machine (U.S. title: Love and Energy) (1975) and Gianluigi Calderone's Appassionata, that definitively gaine her the public acclaim.
Roles in movies like Franco Brusati's To Forget Venice (1979), Dario Argento's Inferno (1980), Nino Manfredi's Nudo di donna (1981), and Liliana Cavani's Beyond Obsession (1982) are some of her most known and remarkable dramatic performances but in the beginning of the eighties, Giorgi decides to rejoin comedy. She's near Adriano Celentano in Mani di velluto and Grand hotel excelsior; for her performance in Carlo Verdone's Borotalco (1982), she won the Nastro d'Argento award and David di Donatello award for Best Actress.
In 2003, Giorgi wrote and directed her first film Uomini & donne, amori & bugie (U.S. title: Love, Lies, Kids... & Dogs), with Ornella Muti.
À propos du film: Nudo di donna (1981)
Titre alternatif: Portrait of a Nude Woman, Portrait of a Woman, Nude, Desnudo de mujer, Nu de femme, Női akt, Die nackte Frau, The Mysterious Picture
Réalisateur: Alberto Lattuada, Nino Manfredi
Scénariste: Agenore Incrocci, Furio Scarpelli, Giuseppe Moccia, Nino Manfredi, Paolo Levi, Ruggero Maccari, Silvana Buzzo
Production & Genre
Producteur(s): Producer: Franco Committeri
Sociétés: Mass Film, Les Films Marceau-Cocinor
Genre: Comedy, Comedy Film, Romance
Récompenses & Similaires
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Similaire:
Mots-clés
Mots-clés: venice, italy, italy, erotic movie
Histoire
Sandro, a middle-aged Roman man, finds himself drifting through Venice during Carnival after separating from his wife of sixteen years due to their escalating arguments. On his first night away, he sees a photograph of a nude woman who resembles his wife, Laura. Intrigued, Sandro sets out to find the model, whose name is Riri. He discovers that Riri is a prostitute and looks very much like Laura but has a completely different personality and lifestyle. Throughout the carnival season, Sandro struggles to determine whether he's dealing with two separate women or one woman with two distinct personas. The film culminates in a masquerade ball where reality and illusion blur, leaving Sandro questioning what is genuine.
Résumé
Nudo di donna (1981) is an Italian comedy-drama directed by Alberto Lattuada and Nino Manfredi, starring Nino Manfredi as the titular character Sandro. The film explores themes of midlife crisis, identity, and the blurring line between reality and illusion, set against the backdrop of Venice's vibrant Carnival celebrations. Although plot details are scarce in provided sources, 'Nudo di donna' appears to be a complex narrative about a man's search for his wife's doppelganger amidst the masquerade and revelry of Venetian carnival.