Scène de Looking for Mr. Goodbar (1977)
Détails de la scène
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Actrices dans cette scène
Nom de naissance: Diane Hall
Date de naissance: 1946-01-05
Lieu de naissance: Los Angeles, California, United States
Détails
Noms alternatifs: Diane Hall, Ντάιαν Κίτον, 黛安·基顿, Даєн Кітон, Даян Кийтън, دایان کیتون
Caractéristiques physiques: N/A
Carrière
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Points forts de carrière:
Récompenses
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Biographie complète
Diane Hall Keaton (born Diane Hall; January 5, 1946) is an American actress. Known for her idiosyncratic personality and fashion style, she has received various accolades throughout her career spanning over six decades, including an Academy Award, a British Academy Film Award, two Golden Globe Awards, and the AFI Life Achievement Award.
She began her career on stage appearing in the original 1968 Broadway production of the musical Hair. The next year, she received a Tony Award for Best Featured Actress in a Play nomination for her performance in Woody Allen's comic play Play it Again, Sam. She then made her screen debut in a small role in Lovers and Other Strangers (1970). She rose to prominence with her first major film role as Kay Adams-Corleone in Francis Ford Coppola's The Godfather (1972), a role she reprised in its sequels The Godfather Part II (1974) and The Godfather Part III (1990). The films that most shaped her career were those with director and co-star Woody Allen, beginning with the film adaptation of Play It Again, Sam (1972). Her next two films with Allen, Sleeper (1973) and Love and Death (1975), established her as a comic actor. Her fourth, the romantic comedy Annie Hall (1977), won her the Academy Award for Best Actress.
To avoid being typecast as her Annie Hall persona, she appeared in several dramatic films, starring in Looking for Mr. Goodbar (1977) and Allen's Interiors (1978), and received three more Academy Award nominations for playing feminist activist Louise Bryant in Reds (1981), a woman with leukemia in Marvin's Room (1996), and a dramatist in Something's Gotta Give (2003). Her other popular films include Manhattan (1979), Baby Boom (1987), Father of the Bride (1991), Manhattan Murder Mystery (1993), Father of the Bride Part II (1995), The First Wives Club (1996), The Family Stone (2005), Morning Glory (2010), Finding Dory (2016) and Book Club (2018).
À propos du film: Looking for Mr. Goodbar (1977)
Année de sortie: 1977
Nation: United States
Titre alternatif: Buscando a Mr. Goodbar, Op zoek naar Mr. Goodbar, À Procura de Mr. Goodbar, В търсене на съвършения господин, À la recherche de M. Goodbar, Hvor er Mr. Goodbar?, Otsimas härra Goodbari, Etsin sinua Mr. Goodbar, Auf der Suche nach Mr. Goodbar, Anazitontas ton mister Good-bar, Nappalok és éjszakák, ミスター・グッドバーを探して, W poszukiwaniu idealnego kochanka, À Procura dum Homem, Isce se gospod Goodbar, В поисках мистера Гудбара, Var finns Mr. Goodbar?, 尋找顧巴先生, Mr. Goodbar, Buscando al señor Goodbar, Tražeći gospodina Gudbara
Réalisateur: Richard Brooks
Scénariste: Judith Rossner, Richard Brooks
Production & Genre
Producteur(s): Producer: Freddie Fields
Sociétés: Freddie Fields Productions, Paramount Pictures
Genre: Drama, Film Based On A Novel, Lgbt-Related Film, Romance
Récompenses & Similaires
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Mots-clés
Mots-clés: bisexual man, cannabis, cautionary, cocaine, disco, disco music, gigolo, grim, sexual fantasy, singles bar, teacher
Histoire
Theresa, a dedicated teacher of deaf children by day, leads a double life at night. She frequented bars and clubs searching for abusive men to engage in progressively violent sexual encounters. Her nights were filled with reckless behavior, starting with casual sex but escalating to drug use. This dangerous lifestyle was a stark contrast to her committed profession during the day.
Résumé
Looking for Mr. Goodbar (1977) is a drama film directed by Richard Brooks, based on the novel of the same name by Judith Rossner. The story revolves around Theresa, portrayed as a successful teacher with a secretive and self-destructive lifestyle outside her professional hours. The film explores themes of sexuality, addiction, and the duality of human nature. Although not explicitly stated in the sources, the title suggests that Theresa's search for 'Mr. Goodbar' is a metaphorical journey for fulfillment or perfection.