Actrice: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Titre du film: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

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Détails de la scène

Durée: 23 sec..Nudité: yesCréateur: TemperJames
Nouvelle taille de fichier: Loading...Son: yesAncienne taille de fichier: 4 mb
Format de fichier: AOMedia Video 1 (WebM/AV1)Résolution: 320x240Ajouté: 2005-05-01

Actrices dans cette scène


Image d'aperçu Virginie Ledoyen
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Nom de naissance: Virginie Vanessa Fernandez

Date de naissance: 1976-11-15

Lieu de naissance: 10th arrondissement of Paris, France

Détails

Noms alternatifs: Virginie Fernández, ヴィルジニー・ルドワイヤン, Βιρζινί Λεντουαγέν, Βιρζινί Φερνάντεζ, ویرژینی لدواین

Caractéristiques physiques: N/A

Carrière

Premières apparitions:

  • Exploits of a Young Don Juan (1986) comme Berthe

Rôles les plus importants:

  • Shall We Kiss? (2007) comme Julie
  • La Ceremonie (1995) comme Melinda
  • The Beach (2000) comme Françoise
  • 8 Women (2002) comme Suzon
  • House of Voices (2004) comme Anna Jurin
  • The Valet (2006) comme Emilie
  • Army of Crime (2009) comme Mélinée Manouchian
  • Jeanne and the Perfect Guy (1998) comme Jeanne
  • The Backwoods (2006) comme Lucy
  • The Soul Eater (2024) comme Élisabeth Guardiano

Points forts de carrière:

  • Shall We Kiss? (2007)
  • La Ceremonie (1995)
  • The Beach (2000)
  • 8 Women (2002)
  • House of Voices (2004)
  • The Valet (2006)
  • Army of Crime (2009)
  • Jeanne and the Perfect Guy (1998)
  • The Backwoods (2006)
  • The Soul Eater (2024)

Récompenses

Récompenses:

  • Officer of Arts and Letters (2007)
  • European Film Award for Best Actress (2002)
  • Prix Suzanne Bianchetti (1998)

Biographie complète

Virginie Ledoyen (born Virginie Fernandez; 15 November 1976) is a French actress. At the age of 2, she was already shooting advertisements for television. At 9, she started going to the École des Enfants du Spectacle, and made her film debut at 10 in Les exploits d'un jeune Don Juan (1986). She was then nominated for the César (the French equivalent of an Oscar) for most promising actress in 1993, 1994 and 1995.

Her international breakthrough was in 1999, when she became ambassador for the cosmetics L'Oréal; this led to her casting in The Beach (2000), with Leonardo DiCaprio.


Poster for Jeanne et le garçon formidable (1998)
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Année de sortie: 1998

Nation: France

Titre alternatif: Jeanne and the Perfect Guy

Réalisateur: Jacques Martineau, Olivier Ducastel

Scénariste: Jacques Martineau, Olivier Ducastel

Production & Genre

Producteur(s): Producer: Pauline Duhault, Cyriac Auriol

Sociétés: Canal+, Centre national du cinéma et de l'image animée (CNC), Les Films du Requin

Genre: Drama, Musical, Musical Film, Romance

Récompenses & Similaires

Récompenses:

  • 3 wins & 4 nominations

Similaire:

  • The Island of Thirty Coffins (1979)
  • The Witness (1969)
  • Stateline Motel (1973)
  • Sorry If I Call You Love (2014)
  • Reflections in a Golden Eye (1967)

Mots-clés

Histoire

Jeanne, a woman with a seemingly insatiable appetite for love, meets Olivier on a subway during an impromptu encounter. She feels a connection unlike any other and finds herself deeply in love. However, Olivier reveals to Jeanne that he has AIDS, which he contracted through heroin use. Despite this revelation, Jeanne's feelings remain unchanged, and she wants to care for him. The two share a common friend who is an AIDS activist but are unaware of it. Olivier becomes severely ill, and Jeanne confesses her love and infidelity to him before they part ways. She returns to the hospital to find that he has left with his parents without leaving a forwarding address. Much time passes, and Jeanne learns from a mutual acquaintance on the subway that Olivier has passed away.

Résumé

Directed by Jacques Martineau and Olivier Ducastel, 'Jeanne et le garçon formidable' (1998) is a French drama-romance with musical elements. The film explores themes of love, loss, and societal indifference towards HIV/AIDS, particularly among marginalized communities like heroin users. It follows Jeanne's journey as she navigates her feelings for Olivier while grappling with the reality of his illness and eventual death. The story also touches on broader social issues such as economic dependency on credit cards and class divisions between immigrant workers, soldiers, and the upper class.