Détails de la scène
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Actrices dans cette scène
Nom de naissance: Brittany Daniel
Date de naissance: 1976-03-17
Lieu de naissance: Gainesville, Sumter County, United States
Détails
Noms alternatifs: Brittany Ann Daniel, بریتنی دنیل
Caractéristiques physiques: N/A
Carrière
Premières apparitions:
Rôles les plus importants:
Points forts de carrière:
Récompenses
Récompenses:
Biographie complète
Brittany Ann Daniel (born March 17, 1976, height 5' 7" (1,70 m)) is an American television and film actress. She is the twin sister of actress and photographer Cynthia Daniel. She is best known for her portrayal of Kelly Pitts on the CW/BET comedy-drama series The Game, and Candice in the 2010 science fiction film Skyline, and for her role as Jessica Wakefield on the 1990's teen show Sweet Valley High.
À propos du film: Rampage: The Hillside Strangler Murders (2006)
Année de sortie: 2006
Nation: United States
Titre alternatif: N/A
Réalisateur: Chris Fisher
Scénariste: Aaron Pope, Chris Fisher
Production & Genre
Producteur(s): Producer: Ash R. Shah, Chris Fisher
Co-Producer: Clifton Collins Jr.
Executive Producer: Todd King
Sociétés: Silver Nitrate
Récompenses & Similaires
Récompenses: N/A
Similaire:
Mots-clés
Mots-clés: drugs, hollywood, interrogation, jealousy, killer, los angeles, california, psychopath, strangler
Histoire
In 'Rampage: The Hillside Strangler Murders', psychiatrist Samantha Stone interviews Kenneth Bianchi, one of the Hillside Stranglers who terrorized Los Angeles in the late 1970s. Bianchi claims to have multiple personality disorder, which Stone must evaluate. As she delves into his crimes, she struggles with her own lifestyle issues and becomes increasingly involved in the case. One of Bianchi's murders occurs near her doorstep, forcing her to confront the horrors he committed.
Résumé
Directed by Chris Fisher, 'Rampage' is a thriller based on true events that follows Samantha Stone as she interviews convicted killer Kenneth Bianchi about his claims of multiple personality disorder. Set in Los Angeles during the late 1970s, the film explores themes of psychological instability and the chilling effect of Bianchi's crimes on those around him. Fisher uses handheld camera techniques to create a sense of unease throughout the film.