Scène de Emmanuelle: L'antivierge (1975)
Détails de la scène
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Actrices dans cette scène
Nom de naissance: Catherine Rivet
Date de naissance: 1958-01-01
Lieu de naissance: Paris, Île-de-France, France
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Biographie complète
Catherine Rivet was born in 1958 in Paris, France. She is an actress, known for Emmanuelle II (1975) , The Ambassadors (1976) and Plus beau que moi, tu meurs (1982) .
Nom de naissance: Laurette Marcia Gemser
Date de naissance: 1950-10-05
Lieu de naissance: Surabaya, East Java, Indonesia
Détails
Noms alternatifs: Moira Chen, Laurette Marcia Gemser, 劳拉·贾姆瑟, Emanuelle, لورا جمسر
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Laurette Marcia "Laura" Gemser (born October 5, 1950, Java, Indonesia) is a Dutch-based actress of Indo descent. She is known for her work with director Joe D'Amato and Bruno Mattei, in particular, for doing a set of exploitation-style and Black Emmanuelle films. Gemser has also been credited as Moira Chen, most notably in Love Is Forever (1983).
Gemser left Indonesia in 1955, at the age of four, and moved with her parents to the Netherlands. She grew up in the Dutch city of Utrecht, where she attended the MULO Regentesseschool high school. After that, she attended the Artibus Art School in Utrecht, where she specialized in fashion design. In 1975 she moved to Italy.
After modelling in various magazines in the Netherlands and Belgium, Gemser began to take part in some soft erotic films. She became internationally recognised after starring in a number of Black Emanuelle films in the 1970s.
Her most mainstream and well-received role was as Laotian refugee Keo Sirisomphone in Michael Landon's 1983 American television movie, Love Is Forever, in which she was credited as Moira Chen.[citation needed] Gemser continued to do films: at times, she worked with her actor husband, Gabriele Tinti. In the 1990s, she left the movies to do costume designing for film. In addition, she lost her husband, who died of cancer in 1991. Today she lives in retirement and low profile in Rome, but she is still remembered as one of the many beautiful women who played the sensual adventuress Emmanuelle.
Nom de naissance: Sylvia Maria Kristel
Date de naissance: 1952-09-28
Lieu de naissance: Utrecht, Netherlands
Détails
Noms alternatifs: Sylvia Maria Kristel, სილვია კრისტელი, 西尔维娅·克里斯蒂, سیلویا کریستل
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Sylvia Kristel was born in Utrecht, Netherlands on September 28, 1952 to father Jean-Nicholas and mother Piet. She is known as being Dutch model, singer and actress.
Biographie détaillée pour Unknown Girls non disponible.
À propos du film: Emmanuelle: L'antivierge (1975)
Titre alternatif: Emmanuelle 2, Een vrouw met jagersinstinkt, Емануела 2, Emmanuelle - A Antivirgem, Emmanuelle 2: La Antivirgen, Emmanuelle l'antivierge, Emmanouella 2 - I antiparthena, L'antivergine - Emmanuelle 2, Эммануэль 2, Emmanuelle 2: Arzunun esiri, Emmanuelle II, Emmanuelle: The Joys of a Woman, Emanuela 2. Teil - Garten der Liebe, Emmanuellel 2: The Anti-Virgin, Emanuela II - antidevica
Réalisateur: Francis Giacobetti
Scénariste: Bob Elia, Emmanuelle Arsan, Francis Giacobetti
Production & Genre
Producteur(s): Producer: Yves Rousset-Rouard, Alain Siritzky
Sociétés: Trinacra Films
Genre: Drama, Erotic Film, Film Based On Literature, Romance
Récompenses & Similaires
Récompenses: N/A
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Mots-clés
Mots-clés: 1970s, open relationship, erotic movie
Histoire
After two months apart from her husband Jean, Emmanuelle travels to Hong Kong by boat in search of him. Upon arriving in Thailand, she finds Jean but also meets Christopher, a mysterious airplane pilot. At a dinner gathering, she encounters Laura, Jean's mistress, and Anna Maria, Jean's stepdaughter who causes Emmanuelle some distress. Despite her marriage, Emmanuelle engages in several extramarital affairs with the knowledge of her husband.
Résumé
Emmanuelle: L'antivierge is a 1975 erotic drama film directed by Francis Giacobetti and based on the novel 'Emmanuelle' by Emmanuelle Arsan. The movie follows Emmanuelle, a young woman navigating her marriage to Jean while exploring her sexual desires with various partners in Hong Kong. The story explores themes of sexuality, freedom, and marital dynamics. However, the provided sources do not mention any significant background information or context for the film.