Actrice: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Titre du film: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

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Détails de la scène

Durée: 162 sec..Nudité: yesCréateur: Ruffah
Nouvelle taille de fichier: Loading...Son: yesAncienne taille de fichier: 100 mb
Format de fichier: AOMedia Video 1 (WebM/AV1)Résolution: 1128x720Ajouté: 2015-10-29

Actrices dans cette scène

Image d'aperçu Me Me Lai
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Nom de naissance: Me Me Lai

Date de naissance: 1951-11-03

Lieu de naissance: Myanmar

Détails

Noms alternatifs: Me Me Lay, 咪咪莱

Caractéristiques physiques: N/A

Carrière

Premières apparitions:

  • Passion Potion (1971) comme Bride

Rôles les plus importants:

  • Last Cannibal World (1977) comme Pulan
  • Eaten Alive! (1980) comme Mowara
  • The Element of Crime (1984) comme Kim
  • Mondo Cannibale (2016) comme
  • Man from Deep River (1972) comme Marayå
  • Au Pair Girls (1972) comme Nan Lee
  • Crucible of Terror (1972) comme Chi-San
  • Ennenstadt Europa – The Making of The Element of Crime (1984) comme Self - Actress/Kim
  • Passion Potion (1971) comme Bride
  • Revenge of the Pink Panther (1978) comme Chinese Lady of Easy Virtue

Points forts de carrière:

  • Last Cannibal World (1977)
  • Eaten Alive! (1980)
  • The Element of Crime (1984)
  • Mondo Cannibale (2016)
  • Man from Deep River (1972)
  • Au Pair Girls (1972)
  • Crucible of Terror (1972)
  • Ennenstadt Europa – The Making of The Element of Crime (1984)
  • Passion Potion (1971)
  • Revenge of the Pink Panther (1978)

Biographie complète

Me Me Lai, sometimes billed as Me Me Lay, is an ex-actress born in Burma in 1952, to a Burmese mother and an English father. She moved to England in her teens, where she soon started her acting career, at first in television series like Paul Temple and Jason King. Soon, she made the transition to acting in movies, starting with the 1971 horror movie Crucible of Terror, soon followed by 1972's Au Pair Girls.

Lai came into her own during the era of Italian cannibal films, playing lead roles in two genre-defining movies: Il Paese del Sesso Selvaggio (1972) by Umberto Lenzi, and Ultimo Mondo Cannibale (1977) by Ruggero Deodato, in which her character is graphically consumed by a tribe of cannibals. Additionally, she also had a part in Mangiati Vivi (1980), again by Umberto Lenzi, in which her death scene from Ultimo Mondo Cannibale was re-used. Outside the cannibal genre, she had a role in Blake Edwards's 1978 comedy Revenge of the Pink Panther.

Me Me Lai also was co-hostess of British game shows The Golden Shot and Sale of the Century,and appeared on the 1970s Yorkshire Television programme Origami, with Robert Harbin.

Her last movie was Lars von Trier's The Element of Crime in 1984.

À propos du film: Au Pair Girls (1972)

Poster for Au Pair Girls (1972)
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Année de sortie: 1972

Nation: United Kingdom

Titre alternatif: Mother's Helpers, Au pair - tytöt, Ypiretries kai kati allo sto krevvati, Le femmine sono nate per fare l'amore, The Young Playmates, Au-Pair-Girls

Réalisateur: Val Guest

Scénariste: David Hamilton-Grant, Val Guest, David Adnopoz

Production & Genre

Producteur(s): Producer: Kenneth Shipman, Guido Coen

Sociétés: Tigon British Film Productions, The Cannon Group

Genre: Romance, Comedy

Récompenses & Similaires

Récompenses: N/A

Similaire:

  • In Bed (2005)
  • Space Jam (1996)
  • The First Time (1983)
  • The Private Lesson (1975)
  • Pardon Mon Affaire (1976)

Mots-clés

Histoire

Four sexy young foreign girls come to England as au pairs and quickly become quite intimate with their employers, host families, and just about everyone else they encounter.

Résumé

Four cosmopolitan young women trade their native Europe and Asia for the green fields of England, arriving as au pairs eager to immerse themselves in new culture and lifestyle. However, they swiftly discover that beneath the stiff upper lip lies a pulsating heart. Before long, these seductive strangers are weaving intimacy into the fabric of their host families' lives, turning every encounter into an opportunity for connection, often blurring the lines between duty and desire.