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Portrait of Chantal Akerman

Chantal Akerman

Nom de naissance: Chantal Anne Akerman

Date de naissance: 1950-06-06

Lieu de naissance: Etterbeek, Belgium

Détails

Noms alternatifs: Chantal Anne Akerman, Chantal Ackerman, 샹탈 아커만, 샹탈 아케르만, 샹탈 애커만

Caractéristiques physiques: N/A

Carrière

Premières apparitions:

  • Examen d'entrée INSAS (1967) comme

Rôles les plus importants:

  • Blow Up My Town (1968) comme The girl
  • Seven Women, Seven Sins (1986) comme Woman (segment Portrait d'une Paresseuse)
  • Je Tu Il Elle (1974) comme Julie
  • News from Home (1977) comme Narrator (voice)
  • Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles (1976) comme Neighbor (voice) (uncredited)
  • The Room (1972) comme Self - On her bed
  • She Spent So Many Hours Under the Sun Lamps (1985) comme
  • Pictures of Europe (1990) comme Self
  • Chantal Akerman, From Here (2010) comme Self
  • Guest (2011) comme Self

Points forts de carrière:

  • Blow Up My Town (1968)
  • Seven Women, Seven Sins (1986)
  • Je Tu Il Elle (1974)
  • News from Home (1977)
  • Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles (1976)
  • The Room (1972)
  • She Spent So Many Hours Under the Sun Lamps (1985)
  • Pictures of Europe (1990)
  • Chantal Akerman, From Here (2010)
  • Guest (2011)

Récompenses

Récompenses:

  • Commander of the Order of Leopold (2004)

Biographie complète

Chantal Anne Akerman (June 6, 1950 – October 5, 2015) was a Belgian film director, artist and professor of film at the City College of New York. Her best-known film is Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975).

Despite being categorised as such by others, Akerman frequently distanced herself from the feminist label, explaining, "when people say there is a feminist film language, it is like saying there is only one way for women to express themselves". Instead, Akerman acknowledged that her cinematic approach took inspiration from the writings of Gilles Deleuze and Felix Guattari, as well as from filmmakers Michael Snow and Jean-Luc Godard.

Many directors have cited Akerman's directorial style as an influence on their work. Kelly Reichardt, Gus Van Sant, and Sofia Coppola have noted their exploration of filming in real time as a tribute to Akerman.

Je tu il elle(1974)1 SCENE
Aperçu miniature pour la scène 163861
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