Actrice: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Titre du film: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

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Détails de la scène

Durée: 34 sec..Nudité: yesCréateur: CelebTA
Nouvelle taille de fichier: Loading...Son: yesAncienne taille de fichier: 4 mb
Format de fichier: AOMedia Video 1 (WebM/AV1)Résolution: 668x500Ajouté: 2007-12-10

Actrices dans cette scène


Image d'aperçu Kitten Natividad
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Nom de naissance: Francesca Isabel Natividad

Date de naissance: 1948-02-13

Lieu de naissance: Ciudad Juárez, Juárez Municipality, Mexico

Détails

Noms alternatifs: Francesca Isabel Natividad

Caractéristiques physiques:

  • Height: 5′ 4″ (1.63 m)
  • Eye Color: brown

Carrière

Premières apparitions:

  • The New Centurions (1972) comme Go-Go Dancer (uncredited)

Rôles les plus importants:

  • My Tutor (1983) comme Ana Maria
  • Airplane! (1980) comme Bouncy Topless Woman on Plane (uncredited)
  • Airplane II: The Sequel (1982) comme Moral Majority Woman (uncredited)
  • Thanks for the Mammaries (1987) comme (archive footage)
  • Sizzle (1983) comme
  • The Gong Show Movie (1980) comme Performer
  • Beneath the Valley of the Ultra-Vixens (1979) comme Lavonia / Lola Langusta
  • Up! (1976) comme The Greek Chorus (as Francesca 'Kitten' Natividad)
  • The Tomb (1986) comme Stripper
  • Faster Pussycat Fuck! Fuck! (2005) comme Sally Sue

Points forts de carrière:

  • My Tutor (1983)
  • Airplane! (1980)
  • Airplane II: The Sequel (1982)
  • Thanks for the Mammaries (1987)
  • Sizzle (1983)
  • The Gong Show Movie (1980)
  • Beneath the Valley of the Ultra-Vixens (1979)
  • Up! (1976)
  • The Tomb (1986)
  • Faster Pussycat Fuck! Fuck! (2005)

Biographie complète

Natividad was born in Ciudad Juárez, Mexico, the eldest of nine children, and did not speak English until she was 10. At that time, her mother married a U.S. citizen and they moved to Texas. Natividad attended high school in El Paso, where she was her senior class president. After moving to California, she worked as a maid and cook for Stella Stevens and as a key-punch operator for IBM before turning to go-go dancing to make ends meet. Her stage name Kitten came from her shyness. At age 21, she had her first breast implant surgery in Tijuana (where it was legal) on the advice of her agent. Kitten Natividad was introduced to Russ Meyer by fellow dancer Shari Eubank, a performer in Meyer's 1975 film Supervixens. Meyer hired her to narrate his movie Up!, where she was shown sitting nude in a tree, quoting the poetry of Hilda Doolittle and acting as a Greek chorus to the nonsensical action. Meyer was so impressed he wanted her to star in his next feature, Beneath the Valley of the Ultra-Vixens, one of several collaborations between Meyer and film critic Roger Ebert. He paid for a second breast enhancement and voice lessons to eliminate her accent. She left her husband for Meyer during the filming, and they lived together as a couple for most of the next 15 years. After this, Natividad moved into pornographic modeling, mainly doing glamour or girl-girl shoots with the likes of Candy Samples, Uschi Digard, and Patty Plenty. The appearances increased her dancing income many times over. She incorporated a giant champagne glass into her act (similar to Lili St. Cyr), accompanied by the Bobby Darin hit "Splish Splash." She appeared as a guest on The Dating Game, one of a number of game shows that Chuck Barris produced. During the 1980s, Natividad began appearing in pornographic productions, initially limiting her performances to appearing topless. Eventually, however, she graduated to engaging in hardcore performances, usually with younger men and women. She also founded the private photo and video studio Kitten Klub. She famously appeared as a stripper at the bachelor party held by Sean Penn to celebrate his 1985 marriage to Madonna. In 2001, Natividad starred in the cult film comedy The Double-D Avenger, directed by William Winckler, and in it, she was reunited with fellow Russ Meyer stars, actress Haji from Russ Meyer's "Faster Pussycat! Kill! Kill!" and Raven De La Croix from Russ Meyer's film "Up! In The Double-D Avenger". Kitten Natividad plays Chastity Knott, a woman who becomes a busty costumed crime fighter.


Poster for Beneath the Valley of the Ultra-Vixens (1979)
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Année de sortie: 1979

Nation: United States

Titre alternatif: Russ Meyer's Ultra Vixens, Ultra Vixens, Im tiefen Tal der Superhexen, Ultra Vixens - Tutti gli uomini di Lola Langusta, ウルトラ・ヴィクセン, Más allá del valle de las ultravixens, Ultravixens, Долина ультрамегер, Más allá del valle de las ultravixens, Nedanför ultravixens dal, Más allá del valle de las ultrazorras

Réalisateur: Russ Meyer

Scénariste: Roger Ebert, Russ Meyer

Production & Genre

Producteur(s): Producer: Fred Owens, Richard S. Brummer, Russ Meyer

Sociétés: RM Films International

Genre: Comedy, Comedy Film, Erotic Film

Récompenses & Similaires

Récompenses:

  • 1 nomination

Similaire:

  • Rita, Sue and Bob Too (1987)
  • The Deviants (2004)
  • About Adam (2000)
  • Better Than Chocolate (1999)
  • Brutal Massacre: A Comedy (2008)

Mots-clés

Histoire

In Smalltown USA, Levonna and Lamar could have an ideal relationship but for Lamar's fixation on rear entry, leading to frequent sexual frustrations for Levonna. Exasperated, Levonna devises a plan involving a wig and Mexican accent to become 'Lola'. Meanwhile, Lamar searches for others to indulge his preferred technique. During a drunken night, Lola seduces Lamar, but he remains unconscious throughout the act. Subsequently, Lamar seeks counsel from a gay marriage therapist who is himself attracted to Lamar's issue. Unable to resolve their problems through conventional means, Lamar ultimately turns to Sister Eufaula Roo at Rio Dio Radio's church for redemption.

Résumé

Beneath the Valley of the Ultra-Vixens (1979) is a comedy-erotic film directed by Russ Meyer, known for his exploitation films. Set in Smalltown USA, the movie explores the unconventional sexual dynamics between Levonna and Lamar, focusing on Lamar's rear entry obsession. The story satirizes societal norms and expectations surrounding sexuality, presenting humorous yet provocative situations involving Voyeurism, employer-employee relationships, and older woman-younger man dynamics. Despite its erotic nature, the film is more about absurd comedy than genuine eroticism.